参演艺人:JOHNNY O' NEAL TRIO
演出场地:Blue Note Beijing
演出时间
日期/Date:2019年11月1日(周五)
*场1st
入场时间/Door Time:6:00 PM
演出时间/Show Time:7:30PM
第二场2nd
入场时间/Door Time:9:30PM
演出时间/Show Time:10:00PM
票价信息
B2剧场票价Ticket Price:
320(边座)/400(主座)RMB
Mercedes-Benz JAZZ MASTER SERIES
梅赛德斯-奔驰特别呈现爵士大师堂系列
乐队成员
Johnny O' Neal - piano/vocals
Mark Lewandowsky - bass
Itay Morchi - drums
“其精湛的演奏技巧和对 boogie-woogie的喜爱,以及他那沙哑、低沉、带着底特律灵魂气息的歌声,使他的风格始终如一。”——《Jazz Times》
“What remains consistent is his style, with its behind-the-beat virtuosity and an affinity for boogie-woogie and stride tempered by a gravelly, bottomless singing voice that smacks of Detroit soul.” Aidan Levy, Jazz Times
Johnny O 'Neal在40多年的职业生涯中,赢得了“大师”的称号。作为一名职业钢琴家、歌手和艺人,他得到了世界各地的音乐家和观众的喜爱。在他的职业生涯中有许多辉煌时刻,如:他曾与令人尊敬的Ray Brown、Milt Jackson和Art Blakey的爵士信使乐队合作,以及1985年在卡内基音乐厅为Oscar Peterson演出进行独奏开场;1998年他入选阿拉巴马州爵士名人堂(Alabama Jazz Hall of Fame);他在奥斯卡获奖影片《Ray Charles》中饰演钢琴大师Art Tatum。
After forty-plus years as a professional pianist, vocalist and entertainer, Johnny O’Neal has earned the title of “master” with fellow musicians and audiences around the world. Highlights of his awe-inspiring career include stints with Ray Brown, Milt Jackson and Art Blakey’s Jazz Messengers, as well as a Carnegie Hall debut in 1985 on solo piano opening for Oscar Peterson and induction into the Alabama Jazz Hall of Fame in 1998. There is little wonder he was tapped to play virtuoso pianist Art Tatum in the Academy Award-winning Ray Charles biopic Ray.
“Johnny O’Neal平易近人的演唱魅力——这本身*是一件了不起的事情——有时会让他钢琴演奏的明澈光芒黯然失色。但在他的Smoke Sessions Records新录音室专辑《In the Moment》情况并非如此。”——Nate Chinen, WBGO.org
“The easygoing charm of Johnny O’Neal’s vocal delivery — a remarkable thing, in and of itself — can sometimes overshadow the brilliant clarity of his piano playing. That’s not the case on his new studio album, In the Moment, just out on Smoke Sessions Records.” ——Nate Chinen, WBGO.org
《In the Moment》是他15年来的*张录音室专辑,也是一张令人印象深刻的专辑,是在Smoke俱乐部中录制的。——《纽约时报》
“‘In the Moment’ — his first studio album in 15 years, and an impressive one at that, was recorded for the club’s [Smoke Jazz Club’s] in-house label.” Giovanni Russonello, The New York Times
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