演出时间

日期/Date：2019年8月18日（周日）

入场时间/Door Time：5:00 PM

演出时间/Show Time：6:30PM

地址/Add：前门东大街23号 Blue Note Beijing

23 Qianmen East Street. Dongcheng District. Beijing

电话Tel：170-0000-0288

票价信息

B2剧场票价Ticket Price：

400（边座）/500（主座）RMB

Mercedes-Benz JAZZ MASTER SERIES

梅赛德斯-奔驰特别呈现爵士大师堂系列

乐队成员

Billy Hart - drums 

Joe Martin - bass

Ethan Iverson - piano

Mark Turner - sax

Billy Hart Quartet

William “Billy” Hart (1940年11月29日出生在华盛顿特区)是一名爵士鼓手和教育家，曾与一些历史上*重要的爵士音乐家一起演出。

早些时候，Hart在华盛顿特区与Otis Redding、Sam和Dave等灵魂艺术家合作演出，后来又与Buck Hill和Shirley Horn合作，并与Montgomery Brothers (1961)、Jimmy Smith (1964-1966)和Wes Montgomery (1966-1968)合作担任边锋。Hart于1968年搬到纽约，在那里他与McCoy Tyner、Wayne Shorter、Joe Zawinul合作录制唱片并与Eddie Harris、Pharoah Sanders和Marian McPartland合作。

Hart是Herbie Hancock的六重奏(1969-1973)成员之一，与McCoy Tyner (1973-1974)、Stan Getz (1974-1977)和Quest (1980年代)一起演奏，此外还有广泛的自由演奏(包括1972年Miles Davis在the Corner的录音)。

76岁的Billy Hart工作稳定，教书广泛。自上世纪90年代初以来， Hart一直在奥柏林音乐学院(Oberlin Conservatory of Music)任教，并在新英格兰音乐学院(New England Conservatory of Music)和西密歇根大学(Western Michigan University)担任兼职教授。他还通过新学校和纽约大学教授私人课程。Billy Hart经常为比利时的Stokes Forest音乐夏令营和Dworp Summer Jazz Clinic担任导师。

他领导的Billy Hart四重奏乐队成员包括Mark Turner、Ethan Iverson和Ben Street，Ben Street已经在ECM唱片公司发行了两张专辑。Hart住在新泽西州蒙特克莱尔。

William “Billy” Hart (born November 29, 1940 in Washington, D.C.) is a jazz drummer and educator who has performed with some of the most important jazz musicians in history.

Early on Hart performed in Washington, D.C. with soul artists such as Otis Redding and Sam and Dave, and then later with Buck Hill and Shirley Horn, and was a sideman with the Montgomery Brothers (1961), Jimmy Smith (1964–1966), and Wes Montgomery (1966–1968). Hart moved to New York in 1968, where he recorded with McCoy Tyner, Wayne Shorter, and Joe Zawinul, and played with Eddie Harris, Pharoah Sanders, and Marian McPartland.

Hart was a member of Herbie Hancock’s sextet (1969–1973), and played with McCoy Tyner (1973–1974), Stan Getz (1974–1977), and Quest (1980s), in addition to extensive freelance playing (including recording with Miles Davis on 1972’s On the Corner).

At age 76, Billy Hart works steadily and teaches widely. Since the early 1990s Hart spends considerable time at the Oberlin Conservatory of Music, and is adjunct faculty at the New England Conservatory of Music and Western Michigan University. He also conducts private lessons through The New School and New York University. Hart often contributes to the Stokes Forest Music Camp and the Dworp Summer Jazz Clinic in Belgium.

He leads the Billy Hart Quartet with Mark Turner, Ethan Iverson, and Ben Street, which has released two albums on ECM Records. Hart resides in Montclair, New Jersey.

Ethan Iverson

钢琴家、作曲家和作家Ethan Iverson是Bad Plus的创始成员之一，Bad Plus是一个由Reid Anderson和David King组成的出其音乐团体。《纽约时报》称TBP为“在融合60后爵士乐和独立摇滚的感觉方面，比任何人都要好。”在他17年的任期内，TBP在各种各样的场所演出，包括Village Vanguard, Carnegie Hall和Bonnaroo;与Joshua Redman、Bill Frisell、Mark Morris Dance Group合作；并对伊戈尔·斯特拉文基的《春之祭》进行了忠实的改编，对Ornette Coleman的《Science Fiction》进行了彻底的改造。

Iverson也在广受好评的Billy Hart四重奏超过十年，偶尔与Albert “Tootie” Heath或Ron Carter这样的老音乐家表演。在过去的15年里，Iverson的网站“Do the Math”一直是音乐家对音乐家的研究和分析的宝库，这肯定是《纽约时间》杂志将艾弗森选为纽约25个*重要的爵士乐偶像之一的其中原因：“也许他是纽约*有思想、*充满激情的爵士传统——*令人钦佩的艺术家兼学者。”

2017年，Iverson为Mark Morris Dance Group首演了配乐《Pepperland》，并与Aaron Greenwald在杜克大学共同策划了一场盛大的隆尼斯·蒙克百年庆典。2018年春天，Iverson与美国作曲家交响乐团合作首演协奏曲《Concerto to Scale》;2018年秋天，Iverson与Mark Turner在ECM上发行了《Temporary Kings》。

Iverson在过去的两年里合作的音乐人还包括：Miranda Cuckson、Tom Harrell、David Williams、Victor Lewis、Houston Person、Ben Street、Eric McPherson、Dayna Stephens、Thomas Morgan、Chris Potter、Joe Sanders、Melissa Aldana、Ravi Coltrane、Jorge Rossy、Josephine Bode、Dodo Kis和Gerald Cleaver等。

Ethan Iverson Pianist, composer, and writer Ethan Iverson was a founding member of The Bad Plus, a game- changing collective with Reid Anderson and David King. The New York Times called TBP “...Better than anyone at melding the sensibilities of post-60’s jazz and indie rock.” During his 17-year tenure TBP performed in venues as diverse as the Village Vanguard, Carnegie Hall, and Bonnaroo; collaborated with Joshua Redman, Bill Frisell, and the Mark Morris Dance Group; and created a faithful arrangement of Igor Stravinky’s The Rite of Spring and a radical reinvention of Ornette Coleman’s Science Fiction.

Iverson also has been in the critically-acclaimed Billy Hart quartet for well over a decade and occasionally performs with an elder statesman like Albert “Tootie” Heath or Ron Carter. For over 15 years Iverson’s website Do the Math has been a repository of musician-to-musician interviews and analysis, surely one reason Time Out New York selected Iverson as one of 25 essential New York jazz icons: “Perhaps NYC’s most thoughtful and passionate student of jazz tradition—the most admirable sort of artist-scholar.”

In 2017 Iverson premiered the score “Pepperland” for the Mark Morris Dance Group and with Aaron Greenwald co-curated a major centennial celebration of Thelonious Monk at Duke University. In spring 2018 Iverson premiered Concerto to Scale with the American Composers Orchestra and in fall 2018 released Temporary Kings, a duo album with Mark Turner on ECM.

Other musicians Iverson has shared the stage with in the last two years include Miranda Cuckson, Tom Harrell, David Williams, Victor Lewis, Houston Person, Ben Street, Eric McPherson, Dayna Stephens, Thomas Morgan, Chris Potter, Joe Sanders, Melissa Aldana, Ravi Coltrane, Jorge Rossy, Josephine Bode, Dodo Kis, and Gerald Cleaver.

Mark Turner

作为一位极富创造力的萨克斯手，Mark Turner以其对现代创意爵士乐的细致、和谐丰富的演奏方式而备受赞誉。凭借对John Coltrane，Warne Marsh和Joe Henderson等艺术家的创新声音，Turner在90年代早期已经形成了自己的爵士乐口碑。他在1998年的专辑“In This World”和2001年的“Dharma Days”等专辑获得了好评，他与Brad Mehldau、Kurt Rosenwinkel和Brian Blade等同时代的艺术家一起工作。从2009年的专辑“Sky and Country”开始，他与ECM品牌建立了密切的关系，并成立了Fly Trio（与贝司手Larry Grenadier和鼓手Jeff Ballard合作）， 2014年发表了四重唱专辑“Lathe of Heaven”。

A highly inventive saxophonist, Mark Turner has found acclaim with his meticulous, harmonically rich approach to modern creative jazz. Drawing upon the innovative sound of artists like John Coltrane, Warne Marsh, and Joe Henderson, Turner emerged in the early '90s playing his cerebral, classical-influenced brand of jazz. He gained early acclaim on albums like 1998's In This World and 2001's Dharma Days, working alongside such similarly inclined contemporaries as Brad Mehldau, Kurt Rosenwinkel, and Brian Blade. Beginning with 2009's Sky and Country, he built a close association with the ECM label, splitting his time between collaborating with his Fly trio (with bassist Larry Grenadier and drummer Jeff Ballard), and helming his solo dates like the ambitious 2014 quartet album Lathe of Heaven.

Joseph Martin

Joe Martin是目前纽约市爵士乐坛上*的贝斯手之一。以温暖的声音、灵巧的耳朵、谐波的灵活性和抒情的独奏而著称。他合作过各种各样的音乐家，包括：Andy Bey、Vinicius Cantuaria、Bill Charlap、Billy Drummond、 Art Farmer、Aaron Goldberg、Jon Gordon、Ari Hoenig、Joel Frahm、Ethan Iverson、Guillermo Klein、Ivan Lins、Lionel Loueke、Bill McHenry、John McNeil、Brad Mehldau、Mingus Big Band、Ben Monder、Jane Monheit、Chris Potter、Kurt Rosenwinkel、Jaleel Shaw、Edward Simon、Mark Turner等等。作为一名sideman，他已经参与了几十张唱片，作为一名*，他有两张广受好评的唱片，分别是由Chris Potter、Brad Mehldau、Marcus Gilmore参与的《Not By Chance》和Mark Turner、Kevin Hays和 (Jorge Rossy参与的《Passage》。伟大音乐家之间不断的音乐对话是Joe主要的灵感来源。作曲是Joe的音乐世界中另一个不可或缺的组成部分。

Joe Martin is one of the most sought-after bassists on the current New York City jazz scene. Known for his warm sound, facile ear, harmonic flexibility, and lyrical solos, he has performed with a diverse range of musicians including Andy Bey, Vinicius Cantuaria, Bill Charlap, Billy Drummond, Art Farmer, Aaron Goldberg, Jon Gordon, Ari Hoenig, Joel Frahm, Ethan Iverson, Guillermo Klein, Ivan Lins, Lionel Loueke, Bill McHenry, John McNeil, Brad Mehldau, Mingus Big Band, Ben Monder, Jane Monheit, Chris Potter, Kurt Rosenwinkel, Jaleel Shaw, Edward Simon, Mark Turner, and many others. He has performed on dozens of recordings as a sideman and has two critically acclaimed recordings as a leader, "Not By Chance" (Anzic) featuring Chris Potter, Brad Mehldau, Marcus Gilmore, and "Passage" (FSNT) which features Mark Turner, Kevin Hays, and Jorge Rossy. Continuous musical dialogue amongst great musicians is a major source of inspiration for Joe. Composition is another indispensable component to Joe's musical world.

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