演出信息

日期/Date：2019年3月16日

入场时间/Door Time：6:00 PM

演出时间/Show Time：7:30PM

地址/Add：前门东大街23号 Blue Note Beijing

电话Tel：170-0000-0288

演出信息

B2剧场票价Ticket Price：

460（边座）/560（主座）RMB

（餐饮低消：100RMB） 

Mercedes-Benz JAZZ MASTER SERIES

梅赛德斯-奔驰特别呈现爵士大师堂系列

乐队成员

Madeleine Peyroux - Lead vocals, guitar  
Jon Herington - Guitar    
Andy Ezrin - Keys
Paul Frazier - Bass
Graham Hawthorne - Drums

Madeleine Peyroux拥有在音乐界*备受瞩目的心路历程之一。自从22年前她的首张专辑《Dreamland》发行以来，她已经发行了八张个人专辑。她持续挑战着爵士乐的界限，并带着永不消退的好奇心，冒险进入当代音乐的沃土。《纽约时报》将她的歌声与Billie Holiday、Ella Fitzgerald以及Edith Piaf相提并论，毫无疑问地肯定了Madeleine无尽的才华。

在美国东南部的Georgia出生，Madeleine先后在纽约、加利福尼亚以及巴黎长大。她从小便对父亲收藏的唱片着迷，并和母亲学习演奏了尤克里里。15岁时，她便开始在巴黎演出，没过多久便在当地变得小有名气，并随后在欧洲范围内巡演。

1996年，一次偶然的机会使得大西洋唱片公司（Atlantic Records）的一名星探发现了Madeleine的才华。她随后便与唱片公司签约，并录制了自己的*张专辑《Dreamland》——这促使她的职业生涯向前迈进了一大步。

Madeleine Peyroux《Dreamland》

《Dreamland》的制作团队相当强大，除了拥有制作人Greg Cohen的支持以外，不少在业内名列前茅以及有声望的爵士音乐家们也都纷纷参与了这张专辑的录制，这其中包括萨克斯手James Carter、吉他手Marc Ribot、钢琴手Cyrus Chestnut和小提琴手Regina Carter等等。在囊括摇摆、乡村、民谣等多样化的音乐作品外，这张专辑也收录了三首Madeleine的个人作品：“Hey Sweet Man”、“Always a Use”以及专辑同名曲“Dreamland”。

Madeleine Peyroux《Careless Love》

Madeleine在2004年发行的第二张个人专辑《Careless Love》突破了50万张的发售量，并被美国唱片工业协会（Recording Industry Association of America）授予“金唱片奖”。此后，她的事业更加一帆风顺。即便享受着流行*的待遇，Madeleine依然努力地寻找、不断发掘新的声音。除了体现自己作为创作歌手的能力以外，Madeleine也会经常在自己的专辑中演唱她的偶像们：Leonard Cohen、Tom Waits、Fred Neil等其他前辈们的经典作品。

Lang Lang《New York Rhaopsody》

在国际钢琴*郎朗于2016年在索尼音乐旗下发行的《New York Rhapsody》专辑中，Madeleine也曾作为特邀录音嘉宾，与郎朗共同携手演绎了“Moon River”经典一曲。值得一提的是，这张专辑的制作人恰恰是Madeleine职业生涯中的伯乐Larry Klein。这一次重逢对于Madeleine来说，尤其特别。

Madeleine Peyroux《Anthem》

现如今，Madeleine正携带着自己的乐队以及*新专辑《Anthem》在世界范围内巡演。3月16至17日，作为她亚洲巡演的一部分，她将登上Blue Note Beijing的舞台。究竟她的歌声怎样特别？唯有现场亲自感受！

Madeleine Peyroux's extraordinary journey is one of music industry’s most compelling. 

Eight albums and 22 years since her debut Dreamland, Peyroux continues to challenge the confines of jazz, venturing into the fertile fields of contemporary music with unfading curiosity.

Peyroux’s new album, Anthem, finds the singer-songwriter collaborating with writers/musicians Patrick Warren (Bonnie Raitt, JD Souther, Bob Dylan, Bruce Springsteen, Lana Del Rey, The Red Hot Chilli Peppers), Brian MacLeod (Sara Bareilles, Leonard Cohen, Tina Turner, Ziggy Marley) and David Baerwald (Joni Mitchell, David and David, Sheryl Crow), who are also the basic rhythm section players on the album. Together, they cast a sober, poetic, and at times philosophical eye on the current state of the world. 

Produced and co-written by Larry Klein, the album came to life during the pivotal 2016 US elections, with the writers absorbing a “constant stream of news” over many months. The “consciously not too preachy” songs, fuse Peyroux’s, at times political outlook, with glimpses into her personal world. Honed and patiently refined with fellow writers they mix the public with the personal, striking that perfect equilibrium of dark humour and compassion.

Anthem is an album born out of the team being “together in one room, musing over world events and letting personal experiences spark ideas”. David Baerwald’s sadness over the passing of poet John Ashbery, ignited thoughts of much admired figures lost over the years and paved the path for All My Heroes. Baerwald’s loss gave rise to feelings of awe at these figures’ trailblazing ability to guide and “light fires in the shadows”, but also brought to light their very human vulnerability. 

Inspiration for the evocative Lullaby, written by Baerwald, Klein, MacLeod, Peyroux and Warren, came from “the image of a solitary woman in the midst of a vast open sea singing to her child, or possibly herself, as she faces the chasm of the world.” With engaging empathy, the song paints a haunting picture of the displaced person’s desperation, as she is tormented by memories of “a time before the war”, in a boat paddling towards the unknown. 

Anthem weaves the colourful stories of people confronting life's challenges in a multitude of ways. With pathos and a hint of irony it laments over financial tribulations in Down On Me, speaks of disappointment and unfulfilled dreams in the bluesy Ghosts of Tomorrow and delivers a scathingly poignant social commentary in The Brand New Deal. Coming ten years after Bare Bones, the singer-songwriter’s previous album of original songs, Anthem finds Peyroux wiser with finer articulation powers. Inspired by her idol Leonard Cohen’s ability to “suffer for the work, but still present the listener with just a friendly thought”, Peyroux sends a spiritual but clear message of hope, optimism and resilience in the face of a turbulent reality.

There are two covers in this album. Paul Eluard’s WW2 poem Liberté, and the title track, Leonard Cohen’s monumental Anthem, which also marks Peyroux’s third interpretation of the iconic poet’s work.

Soon becoming Peyroux’s “personal anthem”, Cohen’s soulful masterpiece “tied together all the stories on the record”, with uncanny relevance and topical worldly observation.

It was Cohen’s astonishing ability to tap into the human psyche and “make you think about things without forcing you into it”, that was the underlying thread throughout the project, leading to a more fluid style of writing, “that is about saying something rather than saying everything.” 

Anthem’s lighter tunes include On My Own and On A Sunday Afternoon and 70’s sounding Party Tyme which “has some darkness to it.”

A key track on the album is Paul Eluard’s poem Liberté which came to Peyroux’s attention when a family friend requested she contribute a song to the documentary On the Tips of One’s Toes (Sur La Pointe des Pieds), telling the story of her gravely ill son and the family dealing with his fatal illness (Duchenne Muscular Dystrophy). A well-known poem in France and recently set to music by French rocker Marc Lavoine, “Liberté was already in the air following the Paris terror attack”. It came up for Peyroux and Klein as they were trying to put music to a sequence in the documentary showing the young boy going on daily outings and activities. It evoked questions about the parents’ ordeal of “living with the knowledge that their son will not live a full life”, and triggered thoughts of “life’s greatest questions about mortality, overcoming adversity and man’s place in the grand scheme of things”. 

The 21-verse poem was edited down to fit the album’s format and its stanzas adapted, before Peyroux and Klein wrote their original composition. Delivered in French and encompassing the entire human experience, Liberté begins with the lines “On my school notebooks, On my school desk and the trees”, to convey the essence of childhood and growing up. It goes on to touch on adulthood, romantic loneliness, and the many facets of human life, before finally speaking of illness, death and recovery. “With every verse Eluard mentions different places, imaginary and real where he would write 'the name’ but the name itself remains a mystery until the all revealing last line “I was born to know you, To name you, Liberty”. Under Klein’s sensitive production, the arresting poem assumes an enchanting folksy simplicity, with only Klein’s acoustic guitar and Warren’s atmospheric synth strings to accompany Peyroux’s mesmerising voice. 

Anthem is Peyroux’s “biggest project to date”, with the artist investing many months of hands-on involvement in the studio, “exploring processed sounds and editing in post tracking. Special in that it was written with the group of musicians/writers who also played on it, “this album was about discovering the original songs as they were being recorded” and mastering the courage to “let the songs choose their own path.” The new album includes several songs bearing Peyroux’s distinctive, instantly recognizable style including On My Own and Sunday afternoon, but Anthem’s spirit was that of exploring new styles whilst resting safe in the knowledge that “if you are loyal to yourself, there should always be a thread running through your music.”

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