2026美国费城交响乐团海口音乐会

【中西对话·大师之夜】

乐团介绍

Photo by Jessica Griffin

2026–27 乐季

世界知名的费城交响乐团致力于与尽可能广泛的观众分享音乐的革命力量，并通过音乐在费城地区、全美和世界各地创造欢乐、连接和兴奋。通过创新的节目编排、充满活力的教育倡议、对多样性社区的承诺、对数字推广的欢迎，乐团正在为古典音乐创造广阔包容的未来。

费城交响乐团在家乡充满骄傲，全年在金梅尔表演艺术中心为人们演奏、并在社区各处通过广播和网络为费城人民演出。金梅尔艺术中心自2001年起成为了乐团的主场；另外，自2024年起，中心的Verizon音乐厅被重新命名为玛丽安·安德尔森音乐厅，以纪念这位具有传奇色彩的女低音、民权运动标志人物，以及费城人。费城交响乐团屡获殊荣的教育与社区项目每年通过包容性的艺术教育和充满活力的互动活动，连接、激励并颂扬来自不同社区群体的近4万名费城居民及250所学校。通过珍妮·H·凯森学校音乐会、家庭音乐会、公开排练、PlayINs及“我们的城市，你的乐团”社区音乐会等项目，学生、家庭及其他社区成员可免费或以优惠价格享受费城交响乐团的演出体验。

雅尼克·涅杰-瑟贡（Yannick Nézet-Séguin）目前担任费城交响乐团（The Philadelphia Orchestra）的音乐和艺术总监，这是他的第15个乐季。他与乐团音乐家之间的紧密联系受到了观众和评论家的赞誉，他深受乐团音乐家、观众和社区的喜爱。除了通过吸纳不断壮大且多样化的当代作曲家群体来扩充曲目外，雅尼克和乐团还致力于演奏和录制以往未受重视的作曲家作品。

费城交响乐团坚信音乐的力量可以连接人们，文化外交在推动变革中可发挥重要作用。通过音乐会、国内外巡演、驻地活动和录音，乐团成为了全球使节和美国最伟大的文化输出口之一。乐团每年在卡内基音乐厅、曼恩表演艺术中心、纽约的萨拉托加演出艺术中心，以及科罗拉多州的Bravo! Vail音乐节演出。乐团有着悠久的巡演历史，自创立之初就首开在费城之外演出的先河。1973年，费城交响乐团成为了第一个在中华人民共和国演出的美国乐团，致力于通过音乐促进人与人的交流，至今已有五十年。

乐团在雅尼克的带领下重新开始录音，在德意志留声机唱片公司（Deutsche Grammophon）旗下发行了15张备受赞誉的专辑，其中包括荣获格莱美奖的弗洛伦斯·普莱斯（Florence Price）第一和第三交响曲。此外，乐团还通过WRTI-FM和SiriusXM的每周广播节目，将音乐传递给成千上万的听众。关于费城交响乐团的更多信息，请访问www.philorch.org。

Photo by Jessica Griffin

艺术家介绍

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2026–27 乐季

Marin Alsop是我们这个时代最重要的指挥家之一。她是费城交响乐团首席客座指挥，目前在第三个乐季，其中包括在费城定期执棒乐团的系列音乐会，以及在科罗拉多州韦尔和纽约州萨拉托加斯普林斯两地的夏季音乐节和巡演中指挥乐团。1990年，她在费城交响乐团首次亮相。

Alsop女士是第一位担任美国、南美、奥地利和英国主要交响乐团指挥的女性。她因其创新的节目编排方法而享誉国际，也是第一位也是唯一一位获得麦克阿瑟奖的指挥家。

Alsop女士还担任波兰国家广播交响乐团的艺术总监兼首席指挥，以及伦敦爱乐乐团的首席客座指挥。她成为首位担纲BBC逍遥音乐节最后一夜演出的女指挥，创造了历史。她期待已久的柏林爱乐乐团首演于2025年举行。

为了促进和培养女指挥家的职业发展，Alsop女士于2002年创立了塔基-康科迪亚指挥奖学金，通过密集的辅导、指导和资金支持赋能杰出的女指挥家。如今，该奖学金已包括92位获奖者和学员，其中32人担任着世界各地乐团的音乐总监/首席指挥职务。

Alsop女士2026-27乐季的亮点包括她携伦敦爱乐乐团重返BBC逍遥音乐节，此外还将与巴尔的摩交响乐团、圣保罗州交响乐团、新加坡交响乐团、奥斯陆爱乐乐团、巴黎管弦乐团、布达佩斯节日管弦乐团和柏林广播交响乐团合作演出。她还与费城交响乐团携手钢琴大师林允灿开启她第二次亚洲巡演，并将执棒2027年辛辛那提五月音乐节。本乐季她的曲目涵盖交响乐经典曲目和当代作品，同时通过马勒、布里顿、肖斯塔科维奇、约翰·亚当斯和朱莉娅·沃尔夫作品的里程碑式演出，继续她长期以来对美国作曲家的倡导。

2021年，阿尔索普女士荣膺巴尔的摩交响乐团的桂冠音乐总监称号。在她出色担任该团音乐总监的14年任期中，她带领乐团完成了13年来的首次欧洲巡演，指挥了超过24部世界首演，并创立了音乐教育项目“儿童乐团”（OrchKids）。她还是2025年美国管弦乐团联盟金棒奖的得主。

Photo by Todd Rosenberg

Photo by Benjamin Ealovega

张昊辰于2006年首次亮相费城交响乐团，作为该乐团主办的阿尔伯特·M·格林菲尔德学生比赛的冠军；他于2017年乐季首秀，同年他获得了著名的艾弗里·费舍尔音乐职业大奖，该奖项认可了他在音乐领域的重大潜力。自2009年在范·克莱本国际钢琴比赛中获得冠军以来，他曾与许多世界领先的音乐节和管弦乐队合作，包括中国爱乐乐团与余隆在英国广播公司逍遥音乐会上的合作；慕尼黑爱乐乐团与洛林·马泽尔在慕尼黑和中国的巡演门票售罄；悉尼交响乐团和大卫·罗伯逊中国巡演；以及北德意志广播交响乐团和托马斯·亨格布洛克在东京、北京和上海的巡回演出。2019年，他加入了雅尼克·涅杰-瑟贡和费城交响乐团，前往中国和日本巡演。

张昊辰最近的演出亮点包括他在巴黎香榭丽舍剧院的首场独奏会，与慕尼黑和香港爱乐乐团的巡演，以及重返墨尔本交响乐团。他被任命为北京国家大剧院（NCPA）的驻场艺术家，其中包括与国家大剧院管弦乐团的亚洲巡演以及李斯特和拉赫玛尼诺夫协奏曲全集的音乐会。最近几个乐季，他与纽约和卢森堡爱乐乐团、瑞士罗曼德管弦乐团、罗马圣切契利亚管弦乐团，和卢塞恩音乐节管弦乐团首次合作。他曾与斯卡拉爱乐乐团、NHK交响乐团和柏林国家歌剧院合作演出。2017年10月，他与国家大剧院管弦乐团一起出现在卡内基音乐厅，随后他在卡内基赞克尔音乐厅首次独奏。 2019年，张昊辰先生在BIS唱片公司发行了他的首张协奏曲专辑，与拉赫蒂交响乐团和季马·斯洛柏坚纽克合作演奏了普罗科菲耶夫的《第二协奏曲》和柴可夫斯基的《第一协奏曲》。他的首张昊辰个人专辑于2017年由BIS发行，收录了舒曼、勃拉姆斯、雅纳切克和李斯特的作品。随后是与费城交响乐团和娜塔莉·斯图兹曼合作的贝多芬协奏曲全集，以及李斯特的《超越练习曲》个人专辑。2009年，他在克莱本比赛中的表演获得了阿莫尼亚蒙迪（和谐世界）法国唱片品牌的好评；他还出现在彼得·罗森的获奖纪录片《德克萨斯州的惊喜》中，该纪录片记录了2009年的比赛。张昊辰经常受邀参加美国的室内乐节，包括圣达菲室内乐节和拉霍亚夏季音乐节，并与多佛、上海、东京和布伦塔诺四重奏等同行合作。毕业于柯蒂斯音乐学院，师从加里·格拉夫曼。 他曾就读于上海音乐学院和深圳艺术学院，2001年11岁时被上海音乐学院录取，师从但昭义。

Photo by Benjamin Ealovega

【曲目单】

马林·阿尔索普 指挥

张昊辰 钢琴

勃拉姆斯：学院节庆序曲，作品 80

贝多芬：降E大调第五钢琴协奏曲，作品 73（《皇帝》）

第一乐章：快板

第二乐章：稍带流动感的柔板

第三乐章：回旋曲，快板

中场休息

德沃夏克：d小调第七交响曲，作品 70

第一乐章：庄严的快板

第二乐章：稍慢的柔板

第三乐章：谐谑曲，活泼的

第四乐章：快板*演出曲目及顺序以现场为准

2026 The Philadelphia Orchestra Haikou Concert

【Cross-Cultural Dialogue ·Masters Night】

Orchestra Introduction

Photo by Jessica Griffin

2026–27 Season

The world-renowned Philadelphia Orchestra strives to share the transformative power of music with the widest possible audience, and to create joy, connection, and excitement through music in the Philadelphia region, across the country, and around the world. Through innovative programming, robust education initiatives, a commitment to its diverse communities, and the embrace of digital outreach, the ensemble is creating an expansive and inclusive future for classical music.

The Philadelphia Orchestra takes great pride in its hometown, performing for the people of Philadelphia year-round, at the Kimmel Center for the Performing Arts, throughout the community, over the airwaves, and online. The Kimmel Center has been the ensemble’s home since 2001, and in 2024 Verizon Hall at the Kimmel Center was officially rededicated as Marian Anderson Hall in honor of the legendary contralto, civil rights icon, and Philadelphian. The Orchestra’s award-winning education and community programs connect, uplift, and celebrate nearly 40,000 Philadelphians and 250 schools from diverse communities annually, through inclusive arts education and vibrant engagement that reflect our city’s voices and expand access to creative opportunities. Students, families, and other community members can enjoy free and discounted experiences with The Philadelphia Orchestra through programs such as the Jane H. Kesson School Concerts, Family Concerts, Open Rehearsals, PlayINs, and Our City, Your Orchestra community concerts.

Yannick Nézet-Séguin is now in his 15th season with The Philadelphia Orchestra, serving as music and artistic director. His connection to the ensemble’s musicians has been praised by both concertgoers and critics, and he is esteemed by the musicians of the Orchestra, audiences, and the community. In addition to expanding the repertoire by embracing an ever-growing and diverse group of today’s composers, Yannick and the Orchestra are committed to performing and recording the works of previously overlooked composers.

The Philadelphia Orchestra believes deeply in the power of music to connect people and the role cultural diplomacy can play in affecting change. Through concerts, national and international tours, residencies, and recordings, the Orchestra is a global ambassador and one of our nation’s greatest cultural exports. It performs annually at Carnegie Hall, the Highmark Mann Center, the Saratoga Performing Arts Center, and the Bravo! Vail Music Festival. The Orchestra also has a rich touring history, having first performed outside Philadelphia in its earliest days. In 1973 it became the first American orchestra to perform in the People’s Republic of China, launching a now-five-decade commitment of people-to-people exchange through music.

Under Yannick’s leadership, the Orchestra returned to recording with 15 celebrated releases on the Deutsche Grammophon label, including the GRAMMY® Award–winning Florence Price Symphonies Nos. 1 & 3. The Orchestra also reaches thousands of radio listeners with weekly broadcasts on WRTI-FM and SiriusXM. For more information, please visit www.philorch.org.

Photo by Jessica Griffin

Artist Introduction

Photo by Platon

Marin Alsop

Principal Guest Conductor

Ralph and Beth Johnston Muller Chair

 

2026–27 Season

One of the foremost conductors of our time, Marin Alsop is in her third season as principal guest conductor of The Philadelphia Orchestra, which involves a regular presence in the Orchestra’s subscription series in Philadelphia; at its summer festivals in Vail, Colorado, and Saratoga Springs, New York; and on tour. She made her Philadelphia Orchestra debut in 1990.

Ms. Alsop is the first woman to serve as the head of major orchestras in the United States, South America, Austria, and Great Britain. She is internationally recognized for her innovative approach to programming and is the first and only conductor to receive a MacArthur Fellowship.

Ms. Alsop also serves as artistic director and chief conductor of the Polish National Radio Symphony and principal guest conductor of London’s Philharmonia Orchestra. She made history as the first female conductor of the BBC’s Last Night of the Proms. Her long-awaited Berlin Philharmonic debut was in 2025.

To nurture the careers of women conductors, Ms. Alsop founded the Taki Alsop Conducting Fellowship in 2002 to empower extraordinary women conductors through intensive coaching, mentoring, and financial support. Today, the Fellowship includes 92 award recipients and mentees and among them, 32 music director/chief conductor titles are held with orchestras around the world.

Ms. Alsop’s 2026–27 season highlights include her return to the BBC Proms with the Philharmonia Orchestra, in addition to appearances with the Baltimore Symphony Orchestra, the São Paulo State Symphony Orchestra, the Singapore Symphony, the Oslo Philharmonic, the Orchestre de Paris, the Budapest Festival Orchestra, and the Rundfunk-Sinfonieorchester Berlin. She also embarks on her second tour of Asia with The Philadelphia Orchestra alongside piano virtuoso Yunchan Lim and will lead the 2027 Cincinnati May Festival. Her repertoire this season spans the symphonic canon and contemporary works while also continuing her longstanding advocacy for American composers through landmark performances of works by Mahler, Britten, Shostakovich, John Adams, and Julia Wolfe.

In 2021 Ms. Alsop assumed the title of music director laureate of the Baltimore Symphony Orchestra. During her 14-year tenure as its music director, she led the orchestra on its first European tour in 13 years, conducted more than two dozen world premieres, and founded the music education program OrchKids. She is the winner of the 2025 Golden Baton Award from the League of American Orchestras.

Photo by Todd Rosenberg

Photo by Benjamin Ealovega

Haochen Zhang made his Philadelphia Orchestra debut as a winner of the Orchestra’s Albert M. Greenfield Student Competition in 2006 and his subscription debut in 2017, the same year he received the prestigious Avery Fisher Career Grant, which recognizes the potential for a major career in music. Since winning the gold medal at the Van Cliburn International Piano Competition in 2009, he has appeared with many of the world’s leading festivals and orchestras, including the China Philharmonic with Long Yu at the BBC Proms; the Munich Philharmonic with Lorin Maazel in a sold-out tour in Munich and China; the Sydney Symphony and David Robertson in a tour to China; and the NDR Hamburg and Thomas Hengelbrock in a tour of Tokyo, Beijing, and Shanghai. In 2019 he joined Yannick Nézet-Séguin and The Philadelphia Orchestra for tours of China and Japan.

Mr. Zhang’s recent performance highlights include his recital debut at the Théâtre des Champs-Élysées in Paris, tours with the Munich and Hong Kong philharmonics, and a return to the Melbourne Symphony. He was appointed artist in residence at the National Centre for the Performing Arts (NCPA) in Beijing, which included an Asian tour with the NCPA Orchestra and concerts of the complete Liszt and Rachmaninoff concertos. In recent seasons he debuted with the New York and Luxembourg philharmonics, the Orchestre de la Suisse Romande, the Orchestra dell’Accademia Nazionale di Santa Cecilia, and the Lucerne Festival Orchestra. He has performed with the Filarmonica della Scala, the NHK Symphony, and the Staatskapelle Berlin. In October 2017 he appeared at Carnegie Hall with the NCPA Orchestra, which was followed by his recital debut at Carnegie’s Zankel Hall.

In 2019 Mr. Zhang released his debut concerto album on BIS Records, performing Prokofiev’s Second Concerto and Tchaikovsky’s First Concerto with the Lahti Symphony and Dima Slobodeniouk. His debut solo album, with works by Schumann, Brahms, Janáček, and Liszt, was released by BIS in 2017. These were followed by the complete Beethoven concertos with The Philadelphia Orchestra and Nathalie Stutzmann and a solo album of Liszt’s Transcendental Etudes. His performances at the Cliburn Competition were released to critical acclaim by Harmonia Mundi in 2009; he is also featured in Peter Rosen’s award-winning documentary A Surprise in Texas, chronicling the 2009 competition. Mr. Zhang is frequently invited by chamber music festivals in the United States—including the Sante Fe Chamber Music Festival and La Jolla Summerfest—and collaborates with such colleagues as the Dover, Shanghai, Tokyo, and Brentano quartets. A graduate of the Curtis Institute of Music, he studied under Gary Graffman. He was previously trained at the Shanghai Conservatory of Music and the Shenzhen Arts School, where he was admitted in 2001 at the age of 11 to study with Dan Zhaoyi.

Photo by Benjamin Ealovega

【Program】

Marin Alsop Conductor

Haochen Zhang Piano

Brahms Academic Festival Overture, Op. 80

Beethoven Piano Concerto No. 5 in E-flat major, Op. 73 (“Emperor”)

I. Allegro

II. Adagio un poco mosso—

III. Rondo: Allegro

Intermission

Dvořák Symphony No. 7 in D minor, Op. 70

I. Allegro maestoso

II. Poco adagio

III. Scherzo: Vivace

IV. Allegro

*The repertoire and order of performance are subject to on-site arrangement.