摄影：小孙

 

工工工将会于十月和十一月之间，伙同旅居纽约的Otay:onii（施金豆）前往南京、义乌、上海、杭州、广州和深圳演出。

 

两组风格回异但同样身体性很强的音乐人，近年一直在国内外穿梭演出，并得到各方好评，今次三人两组将会携手演出：从激动炸裂到幽若茫然；又从反覆矛盾回到顽强脱离——这将会是一些不一样的晚上。

 

预售票/现场票价统一：购买预售将可得到该场次的专属钥匙扣，专属钥匙扣会按照预售票数量来生产，将不另外发售。

 

钥匙扣设计/监修：吴卓

 

另外现场或許會举办現場比赛，欢迎乐迷踴躍参与，赢取丰富奖品。

关于Otay:onii：

摄影：Leon Baker

 

作为美国另类金属乐队 Elizabeth Colour Wheel 的主唱，施金豆在美国地下音乐圈饱受赞扬；而她个人也以 “otay:onii” 为名，积极活跃在实验音乐和表演艺术的前沿领域。

 

施金豆首先是一位纯粹的声音艺术家。她的创作以音域宽广、嗓音多变的人声实验为核心，在作曲中融合电子声效、环境录音、声音拼贴，甚至是刺耳的噪音，从而建立起一种浑然的 “身体性” 表达。不畏真实带来的残酷，她极致的音乐挣脱了任何既有风格或结构的束缚，也因此释放出超脱、解放的感受。

 

更为难能可贵的是，施金豆在创作中践行着 “整体艺术” 的理念，对自己作品的诠释总以声音、视觉和概念等不同维度延展开来。从舞台上原始而生猛的表演方式，到神秘主义色彩浓重的音乐视频创意，再到为舞台、荧幕设计的不同服装道具，多变的她会探索最符合表达情景与心境的方式⸺哪怕极端或让人一时不好理解⸺使作品达到最终的完整。正是这种锋利的态度和每每全情投入的工作方式，让她年纪轻轻就曾两获 “劳瑞·安德森女性科技奖”，并在“ Global Music Award” 和“ Audiovisual Arts Industrial Incubator” 评选中分别斩获“ 最佳女声铜奖” 和“ 最佳声音金奖”。

 

于2023年初通过北京的 bié Records 发行了最新专辑“梦之骇客 Dream Hacker”并登上Pitchfork得到7.4分的成绩，施金豆在2023年分别以乐队主唱和Otay：onii的身份在北美和欧洲各地巡演，并且登上荷兰Le Guess Who？ 音乐节和澳大利亚 Essential Tremor 等多个国外特殊音乐舞台。

 

关于工工工：

摄影：Kelly Hebestreit

 

工工工 是 吴卓（结他/唱）和 Joshua Frank（贝斯）于中国北京组成的二人乐队。他们用无法再简化的配置：一把结他和一把贝斯演奏一段段互相交缠的 riff，构成拥有强烈前进感但鼓点留白的波动和节奏。

 

将摇滚乐解拆再重组，工工工 用仅有的两把结他重复敲击弹奏，交织出乐器间的“幽灵节奏”：结他的弹拨幻化为军鼓和钹片；贝斯的音律间又会发出有如地鼓的轰鸣。精心设计又异常粗糙，两人大巧不工的音乐受到原是布鲁斯、沙哈拉迷幻摇滚、广东传统音乐，甚至是更不相干的铁克诺舞曲影响，创造出缺乏鼓点，但却比拥有传统三大件的乐队更饱满的音乐。

 

工工工 的首张录音室专辑 幽灵节奏（2019） 在国内外好评如潮，并入选了 Loud And Quiet（英国）和 Aquarium Drunkard（美国）的年度最佳专辑；唱片也同时被 The Wire 杂志选为年度十佳先锋摇滚专辑之一。乐队也多次在国际音乐媒体如 Bandcamp Daily、Pitchfork、纽约客、Exclaim！、Fader 和 NPR 上被专题推荐。

在跟乐迷小别三年后，工工工 于 2023 年再度活跃，开始在亚洲和北美各地演出，并埋首进行新专辑的创作。

About Otay:onii

Photo: Nat Lacuna

 

Otay:onii (Lane Shi) is a multifaceted artist originally from Haining, China, currently based in NY. Her artistic practice spans across music, sound design, installation art, and film composition. She is the lead vocalist and keyboardist of the punk spit band Elizabeth Colour Wheel (US).

 

Her artistic practice is characterized by an experimental approach that defies genre boundaries, exploring electronic, ambient, sound collage, and noise, with the aim of breaking down the structures that limit creative expression and achieving a bodily connection through the synchronization of the heart and mind. She believes in echoes, and the potential of "solving a puzzle with another puzzle that can't be seen, be touched, but to feel."

 

Her critically claimed album NAG was released on ShadowTrash TapeGroup (US) in 2018, MíngMíng 冥冥 on WV Sorcerer Productions (France+China) in 2020, which was honored No.1 in RYM China session 2021, and her newest record Dream Hacker 夢之駭客, which was released on bié records (China) in February 2023 and has received attention from press outlets such as Pitchfork (US), NPR (US), and The Threads Radio (UK).

 

Onii left footprints in renowned institutions, venues and festivals such as Harvard University whrb 959fm in 2020 and Currents FM in 2021, SXSW US and Roadburn Festival (Netherlands) in 2023. Her written script for the self-produced music video "Un deciphered" was featured by BIE Music, and under their curation, her ritual improvisation documentary across the Tibetan plateau was presented at Le Guess Who Cosmos Global in 2022.

About Gong Gong Gong:

Photo：Jia Li

 

Gong Gong Gong (工工工) is the duo of Hong Kong native guitarist and vocalist Tom Ng and Montreal-born bassist Joshua Frank. Formed in 2015 in Beijing's underground music scene, the band taps into a wavelength uniting musical cultures, drawing on inspirations ranging from Bo Diddley to Cantonese opera, West African desert blues, drone, and techno.

 

The group use their minimalistic tools and idiosyncratic playing style to strip rock n’roll down to its bare essentials: rhythm, melody, and grit. Between the locomotive chug and banjo twang of Ng's guitar and Frank’s thumping bass harmonics, an aura of ghostly snare hits and timpani overtones emerges: the “phantom rhythm” for which the band’s critically acclaimed debut is named. Ng proudly sings in Cantonese, his lyrics merging experimental storytelling and abstract poetry.

 

The duo’s debut LP, Phantom Rhythm 幽灵节奏, was named one of 2019’s best by Loud And Quiet (UK) and Aquarium Drunkard (USA), as well as one of The Wire magazine’s top 10 avant rock albums of the year. They have been profiled by Bandcamp Daily and Exclaim!, and featured in Pitchfork, Stereogum, Fader, the New Yorker, NPR, and Interview Magazine.