购票须知：

1.本场演出一旦票品售出概不退换（因不可抗力因素导致演出取消或延期除外）；

2.本场演出不设座位，均为站席观演；

3.本场演出凭电子票入场，无需兑换实体票；

4.秀动网严禁发布任何形式的个人票务买卖信息，秀动有权取消违规者的订单。

重要信息

时间：9月14日-周四-21:30

票价：预售50/现场60

场地地址：东城区交道口南大街东棉花胡同7号

address：Dongmianhua Hutong NO.7 Jiaodaokou South St.

有任何问题可以咨询江湖小掌柜：bjjianghubar（微信号）/13261677712（电话）

三位太空旅行者结合想象和艺术形态进行演奏。

他们的相遇缘于对当代音乐和即兴音乐创作的探索欲望。

围绕着DidierPetit和他的月之大提琴，歌手Claudia Solal和打击乐手PhilippeFoch，一个由人声爵士构成的梦幻世界诞生了，这个世界没有疆域，从交响乐的倡议到人声的即兴发挥，从低声轻吟的大提琴到部落狂颠的打击乐。

DidierPetit是*一个与法国航天局牵手合作的音乐家。

2015年，他实现了儿时的梦想：带着他的“宇宙大提琴”在航天飞机ZeroG中，体验了真空下的音乐弹奏。

还是孩子的时候，Didier弄混了尼尔·阿姆斯特朗和路易·阿姆斯特朗，前者于1969年*踏上月球，而后者是伟大的小号演奏家和拟声吟唱的代表人物。

从那时起，他*幻想着有*能离开地球，再带着全然不同的自己回到地面。

因此通过声乐和器乐的延续，他们一同创作了11首歌曲，*像那11颗等待人们探索的行星。

Claudia Solal : voice

As a singer, songwriter, improviser, Claudia Solal has performed on stage for 20 years now in France, Europe and United States, on the most prestigious venues and festivals. Her numerous collaborations and artistic experiences played a large part in building a unique vocal language, at the crossroads of written material and improvised songs.

After her highly acclaimed first two recordings "My own Foolosophy" (quartet with Baptiste Trotignon, 1998), and "Porridge Days" (duet with Benjamin Moussay, 2005 – « Coup de cœur » Charles Cros Academy), she released "Room Service" in 2010 (ffff télérama), with Spoonbox quartet.

She currently works with Antichamber Music trio with Katie Young and Benoît Delbecq, in Jean-Marie Machado’s Danzas orchestra, in a trio with Jean-Marc Foltz and Régis Huby, Equivoxe duet with singer Valérie Philippin, in duet with bass player Benjamin Duboc (Le ventre vide), in duet with clarinetist Sylvain Kassap.

Her third album in collaboration with Benjamin Moussay, Butter in my brain, will be released in october 2017.She’s been teaching since 1998, and has run the jazz singing and improvisation class at Strasbourg’s Conservatory CRR since 2005. She also gives workshops and master classes, and composes for TV and theater.

Philippe foch : drums & electronic

Driven by a rabid desire for encounter and exploration which far from dwindling with age seems on the contrary to sharpen as timepasses, Philippe Foch, drummer by trade, has been honing in for 30 years to the core of an intensely unstable territory of sound, fleeing all form of routine or status quo, ceaselessly questioning what he has gleaned and reinventing his musical language. This language, with rich percussion artillery as its beating heart, is immediately striking in rhythmic tonicity and organic vitality: a language ruminated at length but spurting profusely in the here and now.

Philippe Foch developed his ever-reformulated language as a soloist or with several resolutely non-conformist ensembles, Les amants de Juliette in particular, a trio formed with Serge Adam and Benoît Delbecq that recently celebrated 20 years of existence (and dissidence), and the Akosh S. Unit, a quartet created and led by vibrant saxophonist Akosh Szelevényi in which Foch participated from the beginning of the 1990s, playing with them until 2002. He deploys a great variety of percussion, imprinting a coloration as subtle as it is profound. After having worked for 20 years with the company L’entreprise de François Cervantes, an example of his recent composition is music for the show Them No Go See by dancer/ choreographer Sophoatou Kossoko. Careful to constantly widen his sphere of possibilities, he harbours in addition a marked interest for electronic music, interest that expresses itself notably in the duos Red Torsion (with Eryck Abecassis) and Basstarang (with Kasper T. Toeplitz) since the mid 2000s. During this time he also created Fugit, a solo project associating electronics and tablas which has led to this current Signature album. Since  2009 he his sharing a lot of experiences with the cellist Didier Petit  in trio with  the clarinetist Sylvain Kassap

Didier Petit : cello & voice

Didier Petit was born in Reims in 1962 into a musical environment and began the cello at the age of six. He entered the conservatoire to study the instrument he was to research and work upon in the future. Thanks to his family, Didier was "swimming" in music from a very early age.In 1977, Didier walked out of the conservatoire, to find himself face to face with the world. At this time, he realises that music won't leave him and, feeling a tremendous desire to exceed both physically and mentally, he turns to jazz. Particularly inspired by Sun Ra and his Arkestra and Celestrial Communication Orchestra of Alan Silva in which he played for ten years, he studied at the IACP, became a teacher, then administrator until 1989. Though his friendship with Misha Lobko he was introduced to many european musical improvisers and shared numerous musical experiences with musicians of all over the World as Vladimir Tarasov, Iva Bittova, Daunik Lazro, Bruno Girard, Carlos "Zingaro", Roger Turner, Benat Achiary, François Tusques, Marilyn Crispell, Terje Isungset, Larry Ochs, Evan Parker.. Didier petit also played an important part in organising the festival "decades of improvised music" in 86, create the The WormHoles Festival in 2007. In order to set up something stable, he creates the record label In Situ in 1990 which now comprises 36 titles. An utopist and realist at the same time, Didier petit never loses the taste for risk and imagination.  In 2009 he creat the East West collective in Hong Kong for the French May Festival to creat a bridge between two cultures. Since then he travel often in China.Since 2010, he is the artistic consultant for the  Observatoire de l’Espace (the art science laboratory of CNES) and  for the Sideration Festival. In October 2015 he has fligh with his cosmocello in the zero G plane to experiment music in zero gravity.

特邀嘉宾Guests-于淼

生于音乐世家，作为新一代古筝演奏家多次与来自法国、美国、挪威的演奏家进行交流与合作，出演于中国*大剧院、北京国际音乐节、威尼斯国际音乐节、中法文化年开幕音乐会等世界性音乐活动，受到中西音乐同行的一致称赞。

她的音乐用现代的方式向世界介绍中国古老的文化，通过独特的演奏方式和东西方乐器的混搭，给予古筝音乐全新的诠释。她曾与多位国内外的古典、电子、爵士、摇滚音乐大师合作，一直在挖掘古筝音乐在与其他音乐类型碰撞中的更多可能性。法国媒体曾称誉她为“中国古典音乐艺术与中国当代创新、西方即兴音乐艺术出色结合的创新者和展现者”。