入场须知

1.现场座位采取“先到先得”的方式，具体位置由前台工作人员进行分配；

2.观众凭前台换取的桌卡进入B2演出大厅，由服务员领位入座；

3.因场地座位有限，会有拼桌现象，敬请谅解;

4.本场演出一旦票品售出概不退换（因不可抗力因素导致演出取消或延期除外）；

5.本场演出凭电子票入场，无需兑换实体票；

6.秀动网严禁发布任何形式的个人票务买卖信息，秀动有权取消违规者的订单。

本图是座位示意图，非标准座位图，其中两侧为边座，中间蓝色区域为主座，具体现场的场地布置和图片可能略有出入，以场地摆放为准。

VINICIUS CANTUARIA CANTA ANTONIO CARLOS JOBIM

演出信息

日期/Date：2017年8月04日－8月05日

入场时间/Door Time：6:00 PM

演出时间/Show Time：8:00PM

地址/Add：前门东大街23号 Blue Note Beijing

23 Qianmen East Street. Dongcheng District. Beijing

电话Tel：170-0000-0288 188-BLUE-NOTE

票价信息

B2剧场票价Ticket Price：

200（吧座）/300（边座）/400（主座）RMB

（餐饮低消：60RMB）  

Lineup

Vinicius Cantuaria - vocals and guitar

Paul Socolow- bass

Adriano Dos Santos- drums

Vitor Goncalves- piano

来自巴西的Vinicius Cantuaria 是一位*的爵士和波萨诺瓦音乐人，他本身也是歌手、作曲家、吉他手、鼓手、和打击乐手。

Singer, guitarist, composer, drummer, and percussionist, Vinicius Cantuaria is a well-known Brazilian musician in the sphere of Bossa Nova and Jazz.

Vinicius来自亚马逊的马瑙斯市，在里约热内卢长大，90年代中期搬到纽约。他在巴西音乐多领域中都证明了自己的能力，而这一切成功也都直接或间接地与巴西音乐相关。他是摇滚乐队“O TERCO”*，他在八十年代发行了六张专辑，其中一张巴西专辑《Sol na Cara》（Grammavision），使他在1996年成为巴西新音乐的先驱。如今，Vinicius Cantuaria活跃于纽约并与许多艺术家合作，包括Brian Eno，Laurie Anderson，Brad Mehldau，Arto Lindsay等。

Born in Manaus, Amazonas, he grew up in Rio de Janeiro, and after several successful records, he moved to New York in the mid-90s. He has proved himself in a number of fields, directly or indirectly linked to Brazilian music. Leader of the rock band “O Terco”, he released six albums in Brazil in the 80s and with his album “Sol na Cara” (Grammavision), was a pioneer of the neo-Brazilian music in 1996. He then became one of the most important downtown New York figures, multiplying collaborations with artists as eclectic as Brian Eno, Laurie Anderson, Brad Mehldau, Arto Lindsay

作为一名作曲家，Cantuaria已经取得了诸多成*，其**的曲目包括《Lua e Estrela》（1981年由Caetano Veloso录制），以及《Coisa Linda》，《SoVocê》和《NaCançao》；作为乐队伴奏，他还和Caetano Veloso、Chico Buarque等艺术家一起演出。

As a composer, Cantuaria has had many successes, with “Lua e Estrela” (recorded by Caetano Veloso in 1981), “Coisa Linda,” “So Você,” and “Na Cançao”; as a sideman, he has performed with Caetano Veloso, Chico Buarque, to only name a few.

在纽约，他发行了五张重要的专辑，包括《Sol na Cara》，《Vinicius》，《Horse & Fish》，并在2008开始跟“Naïve”公司合作而发行《Cymbals》，一张和*纽约音乐家Brad Mehldau, Michael Leonhardt, Dave Binney, 和Erik Frielander等人合作的专辑。Vinicius录他的2010专辑《Samba Carioca》时，他重新证明了他对巴西音乐的影响。除了平时合作的纽约乐队（Brad Mehldau，Bill Frisell）以外，这一次邀请了许多在不同流行趋势中的不同背景的巴西音乐家，包括制作这张专辑的Arto Lindsay，*的Joao Donato，Marcos Valle和年轻音乐家Dadi和Sidinho。

In New York, he has released five internationally recognized studio albums “Sol Na Cara”, “Ê“,”ÊVinicius”, “Horse & fish”, “” and signed an artist contract with Naïve in 2008 which released his album “Cymbals”, recorded with top New York musicians, Brad Mehldau, Michael Leonhardt, Dave Binney, and Erik Frielander… Keeping his New York musicians for «ÊSamba cariocaÊ» (2010), Vinicius Cantuaria successfully returned to his Brazilian roots which once again proved to be numerous. Indeed, in addition to his usual New York team (Brad Mehldau, Bill Frisell), Vinicius was this time surrounded by an impressive line-up of Brazilian musicians from all trends and different backgrounds : Arto Lindsay, who produced the album, veterans like Joao Donato or Marcos Valle, and younger musicians, like Dadi or Sidinho.

Vinicius在纽约拥有他自己的录音棚，也经常往返于纽约和巴西。他对音乐创作的感觉*是要走一步看一步，因此创作看似简单、明显，却有着丰富和复杂的情感。

Vinicius, who owns his studio in New York and frequently travels to Brazil, works every day and progresses in small steps, hence the impression of a simple, melodic, and obvious music, yet so sophisticated.

2011年，他的一张与Bill Frisell的二重奏专辑《Lagrimas Mexicanas》在各个奖项中大放异彩。专辑本身的巧妙设计和超越五年的长期合作，使这个宏伟的专辑本身显示出一种优雅的、极具乐感的和纯粹的质感。一经发表，便收到广泛好评，大受粉丝追捧。

2011 saw the release of the brilliant and multi-rewarded album «ÊLagrimas MexicanasÊ», a duet with Bill Frisell. Skillfully crafted over more than five years by two long-time collaborators, this magnificent album clearly revealed itself as a marvel of elegance, musicality, and purity, recommended to the widest audience, which was quickly captured.

Vinicius 的新专辑《ÊIndio De ApartamentoÊ》，同样证实了这一趋势，制作的更加简洁和纯洁，同时对Bossa Nova世界保持着一个典型的奇点。为了纪念他的母亲，这一张严肃充满痛苦的专辑继续以《Samba Carioca》开始，将纽约（世界主义音乐家（Bill Frisell，Sakamoto Ryuichi））与巴西音乐家（Dadi，Limihna）融合在一起，同时让他们作品越来越多样化，创造出不同的作品。

With «ÊIndio De ApartamentoÊ» (Indian in the Apartment – 2012), his newest album, he confirms this trend and goes even further in brevity and purity, while maintaining an exemplary singularity towards Bossa Nova world. Dedicated to the memory of his mother, who died last year, this solumn and serious album, continues the trend started with “Samba Carioca”, blending New York/cosmopolitain musicians (Bill Frisell, Ryuichi Sakamoto) with Brazilian ones (Dadi, Limihna) while subjecting them to record increasingly varied and different compositions.

《ÊIndio De ApartamentoÊ》更精巧、紧密、纯净，有时极简主义，*像Vinicius在演奏“Purus”的时候同时唱歌、弹吉他、玩键盘。这张专辑几乎可以随着Norah Jones在钢琴上的出现而变得多样，美丽的“Pe Na Estrada”是与Bill Frisell的二重唱。但这张专辑特别的曲子是这首《This Time》，与Jesse Harris（Once Blue，Norah Jones ...）的辉煌二重唱，非常适合收音机播放，像钻石样照亮这一张专辑。根据Vinicius的说法，《ÊIndio De ApartamentoÊ》由来自吉他、原声钢琴、打击乐器与电脑的发出的电子声音混合而成的。这两首歌曲混合了和声、旋律和歌词，创造了一个独特的“巴西—世界”的氛围。再一次证明了这张华丽的专辑，令人难以置信的微妙。充满了鲜明的对比、伟大的统一和显著的多样性，有着纯粹而完整的古典主义。几乎是一个在现代世界里的经典。

 Certainly more compact, dense, tighter and pure, sometimes minimalist like in the wonderful “Purus” where Vinicius performs at the same time vocals, guitar, keyboard and loops, this album is almost open to variety with the presence of Norah Jones on piano, the very beautiful “Pe Na Estrada” a duet with Bill Frisell, but especially in “This Time”, a brilliant duet with Jesse Harris (Once Blue, Norah Jones….), perfect for radios, and which illuminates this album with the sparkle of diamonds. According to Vinicius, Indio de Apartamento “came about from the mix of the raw sound from guitars, acoustic piano, percussion and voice with the electronic sound from computers. These two sonoric mixes together with the harmonies, melodies and lyrics created a unique-Brazilian-universal atmosphere”. Again, the result is a magnificent album, of incredible subtlety and full of contrasts, of great unity and remarkable diversity, with a pure and completed classicism. Almost a classic, in a modern world.