时间/Time: 2016年6月3日 21:00  

门票/Ticket: 50(door)/40(presale)  

地点/Venue: 黄昏黎明俱乐部 (DDC)  

地址/ADD: 北京市东城区美术馆后街山老胡同14号  

Shanlao Hutong NO. 14, Dongcheng District  

电话/Tel: 010-64078969  

邮箱/Mail: DuskDawnClub@gmail.com  

嘉宾/Guest: december3am 

MACONDO: 

风格：器乐摇滚、后摇滚、数学摇滚 

Genre: Instrumental Rock / Post-Rock / Math-Rock 

阵容 line-up: 

Guitar: Scott Slepicka (US) 

Synth/Vocal: Gerald Van Wyk (SA) 

Bass: Fred Shi (CN) 

Drums: Matthew Byrne (UK) 

MACONDO乐队做的是令人兴奋的音乐：受70年代迷幻摇滚启发，融合了器乐摇滚、后摇、数学摇滚和电子音乐。激扬的鼓点、飘渺复杂的吉他、极具攻击性的贝斯，以及超然的合成器音效交织在一起，构建了其独特的音乐，在变幻莫测的节奏驱动下，呈现某种氛围和空间感甚至心理压迫感。 

Macondo make some of the most interesting and exciting music coming out of Beijing today: instrumental rock with elements of math-core, infused with vibes drawn from 70s psychedelic music, adding the production and sound of today’s electronic music. Their unique music shifts from sounds that are ambient and heavy, spacious and dense to atmospheric but rhythmically driven. Bombastic drumming, layered with lush floating guitar textures and earth-shaking energetic bass attack, and otherworldly synthesiser sounds. 

自2014年成立始，Macondo迅猛袭击北京音乐现场，他们的演出往往令观众瞠目结舌，并被形容为“火山摇滚”。

Formed in 2014, the band quickly made a splash on the Beijing music scene, their live shows left audiences open-mouthed, describing it as ‘Volcano Rock’. 

Macondo名字来自小说《百年孤独》，是一个在南美虚构的与世隔绝的村庄名字。 

Macondo's name came from the novel One Hundred Years of Solitude by Gabriel García Márquez, a town that has no contact with the outside world. 

"Macondo is not so much a place as a state of mind, which allows you to see what you want, and how you want to see it." - Gabriel García Márquez 

嘉宾乐队：december3am 

december3am前身是广为人知的Horse Radio乐队，吉他－达莱，鼓手－老杜。它没有延续走马电台的音乐风格，也可以二者毫没关系，*像新吸到的一口空气一样简单又重复，新的二人结构有了更多的交流，音乐也更加自由，既有后朋的风格，又有实验的嘈杂，更有它的线条继而发光又黑暗。 

december3am is the new incarnation of what used to be Horse Radio. When a four piece became a two piece last year for the Beijing Underground Showcase No. 2 at DDC, they managed to wow the audience with a looser, more improvised version of the full band. Somehow it developed a post-rock feel with a jazz bent to it.